Lumen-The Man Who Felt The Grasp...... (2001, acousticy post-rock)

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Lumen-The Man Who Felt
  • Lumen - The Man Felt an Iron Hand Grasp Him by the Hair, at the Nape. Not One Hand, a Hundred Hands Seized Him, Each by the Hair, and Tore Him Head to Foot, the Way You Tear Up a Sheet of Paper, Into Hundreds of Little Pieces.jpg (761.7 KB)
  • Lumen-Front.JPG (761.7 KB)
  • Lumen-Insert.JPG (824.6 KB)
  • Lumen-Back.JPG (1.4 MB)
  • 04 IV.flac (20.7 MB)
  • 07 VII.flac (24.1 MB)
  • 08 VIII.flac (27.2 MB)
  • 06 VI.flac (27.9 MB)
  • 03 III.flac (31.2 MB)
  • 01 I.flac (38.4 MB)
  • 02 II.flac (39.2 MB)
  • 05 V.flac (78.9 MB)

Description





Quote:

absolutely beautiful music that, although acoustic in nature, has a tendency to sound strong and powerful. the drumming is excellent and full of restrained flair, the bass slides and glides with deep rich tones, and the guitars weave in and out with complex melodies and some intricate picking. a few keyboards pop up here and there to add texture and splashes of atmosphere, but they are mixed pretty low in the background and don't disturb the proceedings too much. the second track sounds like a slow summer waltz that brings to mind images of floating down a stream on a wooden riverboat. other cuts are decidely direct in their approach, offering dreamy slabs of hypnotic and upbeat passages that are full of progressive and compelling playing. i love the fact that Lumen could have chosen to drench these songs in blissed out distortion and effects, but they chose to remain acoustic, giving this album a fresh, clean sound that allows the jaw-dropping beauty of these melodies to breathe and shine. (Amazon review)



Quote:

Fionic as it sounds, Lumen's lengthy (and elegantly violent) album title is actually cribbed straight from a short story by one of the twentieth century's most inventive fabulists, the late Italo Calvino-- "The Mine Fields," from Difficult Loves. Superfluous, perhaps, but at least it isn't some cocktail napkin dreck. And Lumen does indeed feature members of two noted San Francisco post-rock combos, A Minor Forest and Tarantel. And they have indeed foregone track titles for their complex and warmly engaging debut. But looks and smells can be deceiving. Something about The Man Felt an Iron Hand evades the harmless academics that have come to serve as the signature of the post-rock non-genre. Something like prog.

The Man Felt an Iron Hand is largely acoustic, dominated by guitars and accordions; keyboards color the spaces between, while the drumming is absolutely berserk. The guitars on "I" owe more to the ecstatic meandering of John Fahey than the dour meditations of Aerial M-- reckless, exotic and free. The fat organs pulse and splash with an almost psych-bluesy swagger. Beneath them, the percussion seems possessed: rocking frenetically between John Bonham and Rasheed Ali. The music sounds like a skeletal prog-rock: wooden and spare, but no less grand. (pitchfork review)



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Lumen-The Man Who Felt The Grasp...... (2001, acousticy post-rock)


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Lumen-The Man Who Felt The Grasp...... (2001, acousticy post-rock)


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